溪边野合嗯啊h

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

莫子仪是个普通的高中生，他对生死问题有强烈的好奇心，对他而言，另个世界、空间，充满了无穷的吸引力。 自從班上來了位留級生陳文益——一個大家都不想理、也懶得理的人，小莫對他十分好奇；因為私底下同學們都流傳著這個對老師愛甩不甩的怪人，曾經自殺過……。 自从班上来了位留级生陈文益——一个大家都不想理、也懒得理的人，小莫对他十分好奇；因为私底下同学们都流传着这个对老师爱甩不甩的怪人，曾经自杀过……。 《最遙遠的距離》男主角莫子儀和賈孝國首度同台合演的作品，青澀的模樣仍掩蓋不住演技的光芒。 《最遥远的距离》男主角莫子仪和贾孝国首度同台合演的作品，青涩的模样仍掩盖不住演技的光芒。

導演：紀柏舟 國別：台灣 年份：2006 片長：7min規格：DV得獎紀錄：首映影片簡介：由紀柏舟編導創作，在2006獲 4C 數位創作競賽「最佳劇情獎」與「最佳美術獎」並入圍第一屆 2006 KT 科技藝術獎（Knowledge Taiwan Creating Award）的 3D 動畫《回憶抽屜》（The Drawer of Memory），2006（六）月在新加坡「第七屆亞太數位藝術及動畫大賽」（ComGraph Award）中，再贏得電腦動畫學生組的金獎。主辦單位 ACMSIGGRAPH Singapore 是國際知名的 SIGGRAPH 的新加坡分會，舉辦亞洲區指標性的數位創作競賽，主要參賽者是亞太區的數位藝術及電腦動畫從業人員和學生，類別有三：電腦動畫公開賽（Computer Animation / Open）、電腦動畫學生組（Computer Animation / Student）和數位藝術組（Digital Art），每組有金、銀、銅獎各一名，入圍獎數名。所有獲獎作品從 6 月 20 到 23 日在 Singapore Expo 現場公開播放。這部《回憶抽屜》3D 動畫中，唯一主角是住在處處都有時間（記憶）塔內的老婆婆，這位人物的造型不僅有東方老婆婆的樣貌，她身上載著的回憶抽屜、也讓人聯想到藝術大師達利的知名塑像《帶著抽屜的維納斯》中的西方超現實風格。一開始，老婆婆每天不斷藉著各種有關老公公的事物來思念老伴，伴著她的除了像是寵物般活蹦亂跳的小電視機外，就是無盡的哀傷。然而，相片裡的老公公看著老伴如此難過，也不禁神情憂傷了起來。某日，老婆婆無意間觸動到她最難以割捨的記憶片段，霎時間積壓已久的情緒崩潰。終於，她陷入了虛幻現實模糊的回憶世界。 …這部動畫是由數位內容學院（Digital Content Institute）第一屆動畫菁英班學生紀柏舟所編導創作，也是他在研修期間所完成的畢業作品。他認為，思念與情感一直是最重要的動人元素。面臨相伴數十寒暑的生離死別，更令人無限唏噓。在幾分鐘的流暢畫面、搭配背景音樂的情境中，作者試圖以虛幻的比喻與擬物象徵，載著個人內心世界的建築與風格，傳達這不變的感動。現在，让我们欣赏下这部感人的3D动画一位住在記憶之塔的老婆婆，藉由每天不斷收集各種有關老公公的事物，放進回憶抽屜來思念老伴。An old lady collects the memories of her husband in a drawer, until some unbearable memories comes to haunt her…悠扬的音乐响起，时钟滴答！迈着沉重的步子，哎声叹气！发现老伴的帽子，咯咯笑起！轻抚珍藏！回忆打开~~~~那是我们无法替代的回忆啊！

令人感到十分讽刺的是，假面骑士灭亡迅雷再次成为了人类的敌人。 哉亚日本公司发生了大规模爆炸事件，而罪魁祸首竟然是灭亡迅雷站？面对新闻发布会上记者的质问，刃唯阿表示暂不做任何回应。上级也在不断施压，假面骑士巴尔坎（不破谏）与假面骑士瓦尔基里（刃唯阿）不得不做出抉择。 理解人类和修码吉亚两方立场的不破谏与刃唯阿，都有各自的坚持，是为了守护所有生命而战？还是为了自己的规则而战？ 他们与假面骑士灭亡迅雷之间的战斗究竟结果如何——！？