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地球曾5次遭遇世界末日。大灾难曾经席卷了几乎所有的生命形式。每一次，都有少数物种存活下来，建立了一个新的世界。史前世界是什么样子的? 是什么灾难导致了它们的消失？我们的远祖是如何在地球遭受的五次大灭绝中幸存下来，并最终创造了我们今天所知的世界？本片将远古动植物采用计算机成像技术，视觉特效与拍摄相结合，回顾了地球上的五次生物大灭绝，正是这五次大灭绝造就了人类的出现。在科学界认为即将发生的第六次物种大灭绝——这次是由人类造成的，本片以有趣而震撼的方式让我们了解人类在地球历史上的存在。© 优酷视频

近未来，人类工业文明高度发达，智能机器人的技术日新月异，并且正逐渐成为社会运转推动时代进步的重要组成部分。可就在某一天，一枚核弹落在旧金山。人类指控智能机器人制造了这场悲剧，于是拉开了和机器人旷日持久的战争。数年之后，美国耗费巨资打造了名为“游牧者”的舰艇，随时随地摧毁人工智能的巢穴。而在当时，只有新亚洲仍有人工智能的据点。特种部队探员约书亚（约翰·大卫·华盛顿 John David Washington 饰）潜入新亚洲，并与监控的对象玛雅（嘉玛·陈 Gemma Chan 饰）结为夫妇。可在一次行动之后，他与知晓他真实身份的玛雅失之交臂。时间又过了五年，约书亚奉命随队迁入新亚洲寻找人工智能的创造者。可是这一次，他却成为了背叛者……

前作『悲しみの忘れ方 Documentary of 乃木坂46』（2015年公開）から4年ぶりとなる乃木坂46のドキュメンタリー映画第2弾が7月5日に公開される。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.