里约大冒险 下载

台湾有许多在地盛传的乡野灵异奇谈，讨论度第一名的毋庸置疑是嘉义“民雄鬼屋”。民雄鬼屋是台湾四大鬼屋之首，以此地点发展出的电影《民雄鬼屋》即将搬上大银幕！清明时节，单亲妈妈何圣心（杨谨华 饰）和女儿小琪及母亲到嘉义民雄公墓扫墓。小琪（麦语彤饰）在扫墓时，误触生人勿近的邪阵而失踪。焦急的圣心和阿嬷（沛小岚 饰），返回那栋连员警都耳语曾经闹鬼的何宅，试图寻找小琪的下落，结果竟发现阿嬷长年不让靠近而钉封的三楼已被破开。圣心身在那似曾相识的房间里，开始遭受邪灵的纠缠。打算去找好友小琪的阿智学长（刘韦辰 饰），在何宅中遇见圣心，两人急切想找到小琪，却意外闯入跟何宅一模一样，却左右颠倒的异度空间。一连串不可思议的幢幢鬼影，将两人引至庭院的那口古井，准备向他们揭开那埋藏多年的恐怖秘密……

故事发生在加州酒店之中。著名演员戴安娜（玛吉·史密斯 Maggie Smith 饰）和丈夫西德尼入住酒店，戴安娜获得了奥斯卡金像奖的提名，信心满满的她相信自己一定能够获奖，哪知道事与愿违，愤怒的戴安娜只想着赶紧离开这个让她感到伤心的地方。汉娜（简·方达 Jane Fonda 饰）带着女儿也住在酒店之中，她此行的目的是和同自己离婚已久的前夫比尔（阿伦·阿尔达 Alan Alda 饰）见面。女儿烦透了母亲的独断专决，希望能够留在这里和父亲生活一段时间。马文（沃尔特·马修 Walter Matthau 饰）比妻子早一天入住了酒店，哪知道自己的好哥们居然送了自己以为金发美人作为大礼。

在纽约布鲁克林区的公寓里，住着两名表面看起来十分和善慈祥的老太太，不料她们竟用自己酿制的毒酒杀了来访的一些孤独老头。此秘密让她们的侄儿加里·格兰特偶然发现，该怎么善后？改编自百老汇舞台名剧，由名导演弗兰克·卡普拉于1941年拍成电影。因适逢二战开始，恐怕本片内容对世道人心有不良影响，故一直拖延到大战后期的1944年才正式公映。其实这只是一部构想奇特的黑色喜剧，本身并无什么毒性。本片在喜趣的背后道出了老年人乏人照顾的凄凉晚景：死亡是他们的最大解脱，而杀人竟成为一种善意的表示。故事主题颇具反省意义。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.