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The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

千年得道的猫后被吸血狼精追了五百年，直到现代，狼精决定杀猫后并吸其功力，但狼精不敌，魂魄飞出体外，而猫后亦腿部受创。翌日，报社主编叶中海路经丛林，碰上受伤的猫后，并替其治伤。泰凯和思萍从大陆逃来香港，萍为凯而做陪酒女郎，但被经理强奸而跳海自杀，凯找经理报仇，更被他用车撞死，但被梦瑛看到，经理为灭口，派人追杀瑛。瑛乃海之女友，猫后知后，便处处为其解危，但狼魂附於经理身上，海不敌经理，猫后为报恩而使出千年功力大战狼魂……

薏涵（简嫚书 饰）是一个单纯善良又十分平凡的台湾姑娘，在网络上，她结识了名叫茂木（中野裕太 饰）的日本男孩，刚开始，薏涵希望和茂木的交流能够帮助她训练日文，然而，随着时间的推移，几乎每一天都会聊天的两人之间似乎擦出了爱情的火花。一晃眼，薏涵已经完成了大学的学业，毕业后，她决定前往日本，去见一见真正的茂木，而非只是那个隐藏在网络数据背后的幻影。临走前，妈妈千叮咛万嘱咐，让薏涵守住底线，不要嫁给日本人，可是，当薏涵见到茂木的第一眼时她就已经能够确定，茂木就是她命中注定的另一半。就这样，薏涵和茂木的恋情在重重的阻碍之间拉开了序幕。

节目以脱口秀为载体，邀请不同圈层的嘉宾围绕年度话题进行一场“态度跨年”，直击2020年的所有憋屈，宣泄释放最真实的情绪和态度，让2020所有的糟心事滚蛋，用热爱迎接2021。