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在《夏风沉醉的晚上》，导演顾晓刚又一次回家，在船上支起银幕放《春江水暖》，给家乡天地和人看。那瓢富春江的水放回江中，任它流向更广阔处。FIRST携手@雷克萨斯中国 邀请顾晓刚导演拍摄的短片上线。东方日常是在富阳的生活，吃茶、钓鱼、坐船，都是紧要的。和导演一起，我们向桃花源驶去。

故事发生在琦玉老师头发还没有掉光的时候，这一天身穿蓝色运动服的他在追捕偷东西的箭毒蛙怪人，谁知期间不慎刮坏了自己的裤子。万般无奈，在打败箭毒蛙之后，他带着破损的衣服求助于相识的和服店老板。老板见他反反复复穿着同一套运动服，所以热心地向他推荐极具视觉冲击力的和服礼服套装。琦玉绞尽脑汁，总算推脱掉了。与此同时，残存于衰败商业街的和服店正面临不法分子蚕食的危险。从老板口中，琦玉得知这群不法之徒的存在，更惊讶地发现自己居然和他们住在同一座公寓中……本片根据ONE、村田雄介的同名漫画改编，是同系列TV动画版的OAD动画。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

成濑巳喜男反映乡村家庭伦理之作。寡居乡间多年的八重（淡岛千景 饰），同家中的哥哥一起，为下一辈子女的工作和婚姻事务四下奔波。但年轻人却各自有着自己的想法，向往现代生活而不愿继续安守着祖上的田地，对父辈安排的婚姻也有保留，令长者心力交瘁。八重与一位已婚记者悉心地照顾着侄辈 ，妥善地处理好两代人的冲突纠纷，在这一过程中，两人情愫渐生，彼此隐约地珍存着这份超出友谊的恋情。末了，八重在对方选择逃避后冷静地克制住自己的感情，而哥哥对后辈的选择虽不以为然，却是无可奈何，卖出了耕作多年的田地后，也只能徒然感慨时代的无情变化。