北京青年土豆网

为迎接即将到来的田径大赛而集中特训的18岁少女、和相伴一生的妻子共庆生日的73岁老人、与所爱的女友举行隆重婚礼的新郎。三个在各自圈子里过着平凡生活的陌生人，却在同一晚同一时刻死亡。他们的死状恐怖，死因蹊跷，并且都在临终前留下“绿猴子”的神秘语句。起初这三起案件被认定为普通的自杀事件，但资深刑警樱井孝典（宇津井健 饰）则认定其中必有玄机，他找到对催眠颇有研究的心理学教授嵯峨敏也（稲垣吾郎 饰）协助调查。经过一段时间的调查，樱井他们偶然将疑点锁定在某电视催眠节目上，与此同时，各种蹊跷死亡案件仍在不断发生，案情紧迫。患有人格分裂的少女入绘由香（菅野美穂 饰），成为了走有案件走向的重要人物……

在一个配件厂兢兢业业许多年的钳工胡建林（大鹏 饰），偶然接到一纸调令，命他马上到集团总公司赴任。淳朴老实的建林还以为作为年年先进的他成为了集团树立奖掖优秀员工的典型，殊不知这却是一场阴差阳错走后门拖关系的狸猫换太子。人事经理马杰（白客 饰）虽然很快发现了这场乌龙，但为了避免遭到处罚，只能将错就错，想方设法保住这位不速之客。而在这一过程中，胡建林也因扑朔迷离的身份受到集团上下的种种揣测，他的层级也意外地一次又一次提升。与此同时，集团正处于大裁员的风雨飘摇时刻，而展现公司面貌的年会召开在即。处在漩涡中心的胡建林，终于发现了一系列诡异事件背后的玄机……

在一个风和日丽的日子里，大狗史派克和他最宝贝的儿子泰克趴在狗屋前睡觉。泰克被噩梦所惊扰，发出阵阵哀鸣。史派克抱起儿子，慈爱地安慰这只受惊吓的小家伙，并喂了他一口牛奶，父子再次进入梦乡。与此同时，汤姆和杰瑞这对冤家又展开了永无休止的战争，他们从屋内打到院子里，躲避追杀的杰瑞走投无路藏进泰克的狗屋。汤姆不管不顾，追到跟前一阵乱翻，甚至把泰克也提了起来。此举热闹了史派克，他狠狠吓唬了汤姆一顿。杰瑞暂时逃过一劫，而汤姆又勇猛地冲了过来，于是小老鼠又钻进了史派克的嘴里。可怜的史派克父子，注定不会睡一个好觉。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.