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伊丽莎白．赫曼饰演十八岁的白人瞎眼少女，平时与粗暴的母亲和老迈的祖父同住，生活漆黑无光。这一天她哀求祖父上班时顺便带她到公园去，才第一次呼吸到清新空气。她在树下做串珠子的手工时，得到好心的西德尼．波埃特帮助，两人产生了感情，只是并不知道对方是黑人。编导盖伊．格林用温馨细腻的手法来处理这段黑白之段，并无大声的呐喊控诉，却令人对女主角的遭遇产生由衷的同情，是一部彰显人性之光的佳作。饰演母亲的谢利．温特斯获得最佳女配角金像奖。

一名漂泊的退役士兵在一名刚刚获释的前囚犯的帮助下变成了地下战士，让他们与腐败的警察和雇佣的杀手对抗，后者向他们和他们关心的所有人开枪。

从前，有对都想把日子过好的老夫妻，但两人对如何过好日子的理解不同，老头每天下田劳动，老太婆则每日烧香求财神，老头向老太婆展示其劳动成果时，被老太婆反认为是自己虔诚求来的。老太婆把老头辛苦挣的钱都用在了供奉财神上，两人的日子越过越紧巴，老头生起气来，可是老太婆并不作理会。灵机一动，老头想出一个好办法。趁老太婆不注意将香炉摔烂后，老头又编造了一个他只能再活一年的故事，信以为真的老太婆在伤心之余，开始按老头的所说做起“财神爷要她做的事”来。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.