江山如此多娇电视剧剧情介绍

富绅董怀古生有一子四女：长子孟达，长女宝珠，次女静珠，三女丽珠，四女雪珠。二十年后董家已外强中干。孟达成为一个无赖；宝珠嫁一小官，自己成日赌博；静珠嫁了商人，生子体弱，便终日念佛，对善事却一毛不拔；丽珠嫁了小职员，爱慕虚荣，其夫苦不堪言；雪珠则与姑母办托儿所，为社会服务。怀古六十大寿，因董家曾向富豪杜家借款，孟达便对富豪之子杜豪百般巴结，甚至想法让其轻薄雪珠，幸亏雪珠机警小惩杜豪，寿宴不欢而散……

清末民初，时局崩坏，孙中山等革命者为推翻清廷统治，四处活动筹集经费，不想却落入了汉奸袁四爷（黄秋生 饰）手中，孙中山被其秘密囚禁，革命党阿华（陈百祥 饰）死里逃生，向五位江湖异人发信求救。于是钟国仁（钟镇涛 饰）、杜海轮（谭咏麟 饰）、沈四官（陈友 饰）、彭健康、费强五名江湖奇人相聚一堂，筹划搭救革命志士，做事颠倒的五人误会了阿华的手信，认为一个名为“铁拳无敌孙中山”的高手将是他们完成任务的最大障碍。钟国仁潜入袁四爷家中，以汉奸的面目获其认可，又以蒙面革命党的身份与袁妹阿琳（陈法蓉 饰）相识相恋，阿琳与其兄不同，同情革命事业，钟国仁为了完成革命任务只得忍痛令杜海轮假扮自己与阿琳接触……本片是为了纪念温拿乐队成军20周年而拍摄。

民国时期，河北省宛平县令（王琛 饰）乃一横征暴敛、寡廉鲜耻的贪墨之徒，所谓上梁不正底梁歪，其下辖各局局长也个个使钻营求利、作奸犯科的丑恶之辈。流浪街头的小混混甄明（许冠文 饰）和贾亮（王琛 饰）潜入县长办公室意欲行窃，却只发现数本各局局长的丑闻记录。适值此时，县长被愤怒民众围殴，以致昏厥。甄、贾二人被困房中，甄明发现贾亮与县长容貌相似，便令其乔装打扮，上演一出狸猫换太子。虽则伪装被警察局周局长识破，但甄明手握这群贪官的丑闻记录，于是得以令他们言听计从，将错就错。好不容易平息县内争端，却得知省长要来宛平县亲自过问乱党一事，心怀鬼胎的众人将如何应对？

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.