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跟随朝鲜最伟大的刺客在他致命的最后一次任务的旅程中。

传说中的“诈骗之神”十一哥回来了！风声一放出引起警方的不安。反诈欺小组警员王子（李振冬饰）建议警官刘星（天心饰）找临时演员吴乐极（杨佑宁饰）进入诈骗集团充当卧底，以就近取得一手消息。仰慕十一哥名声已久的诈骗界奇才安守信（金勤饰）知道这是获得十一哥赏识的好机会，只是近来岛内诈骗过于猖狂，一般民众对诈骗花招了如指掌，他必须在低迷中突破，交出好成绩，才能顺利高升。他看中了头脑简单却有明星潜力的新进员工吴乐极，要把他包装成一个名流帅哥，吸尽钞票银子。而当红女主播张知其（叶羿君饰）为了达到事业顶峰，需要抢在警方之前挖到诈骗集团独家新闻，这使得被迫扮演双重角色的吴乐极左右为难。一场多方角力的大战随即展开。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

在这部滑稽、干涩、半开玩笑的科幻恐怖喜剧中，一个巨大的模糊手指从外太空落下来，威胁着一个女人，打断了她在家孤独的夜晚。