神剑电视剧

1970年、円谷プロとフジテレビで制作され、あまりにも過激な題材と描写のために放映は73年まで持ち越された『恐怖劇場アンバランス』シリーズの中の1本。山城の国の村里。一軒家の地面の下から鉦の音が聞こえる。掘り起こすと、そこには数百年前に入定した僧、定助のミイラが手だけを動かして鉦を叩いている。復活したミイラは、生前の反動からか、老婆にちょっかいを出し、知的障害者の未亡人と交わり、金色の「お仏様」を産み落とす。恐れた村人は、ミイラを谷底へ突き落とすのだった。

阿丹（陈嘉桦 饰）是一名在读的高校学生，她为人正直果敢，崇尚电影和小说中的江湖侠客。最近，她与好友小米（方志友 饰）、佩佩（林盈臻 饰）以保护家庭幸福安康的名义发出倡议，决定行侠仗义、除暴安良，做城市新一族的游侠。这天，某剧组借学校场地拍戏，当红影星贾斯汀（马军翔 饰）现身校园，立即引起巨大轰动，粉丝们发疯般围向了片场，恰巧阿丹路过，她非常不屑地瞧着激动万分的女同学们，一副不以为然的样子。她的平静举止引起导演的注意，被选中出演女一号，这令在场的女生羡慕不己。孤傲的贾斯汀对这个突然降临的女一号显得满眼不屑。而坏女孩阿丹能接受这个全新的挑战吗......

作为一个参加过艺考的过来人，郭姜大学毕业后，选择进入“艺考培训”这个行业。他对自己的角色定位：既是教育工作者，也是商人，不过大多数时候，他喜欢以“郭老师”的身份出现。郭老师施展拳脚的舞台，是某个位于河南中部的小县城，这里也是他的家乡。此纪录片拍的正是郭姜的事业和生活：在即将步入社会的学生眼里，他有时更像“郭老板”；曾经的合作伙伴，因为利益纠葛，如今已分道扬镳；躲在明处或暗处的竞争对手，让他神经紧绷；如何处理自己与合作伙伴的关系，如何与明处或暗处的竞争对手过招，如何在婚姻大事上应对父母，至于那个已经进入谈婚论嫁阶段的前女友，更让他绞尽脑汁以至心身疲惫……一切都像是玩弄心术的游戏，其中滋味只有当事人清楚。总之，徘徊在欲望和所谓的理想之间，坚守还是放任，他需要做出选择。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.