101次求婚 电影

芝姬（金喜善 饰）既是一名毒贩的情妇，又是花店的老板娘。她在自己的花店里一名叫金善宇（宋承宪 饰）的男子。善宇被芝姬深深吸引，每天他都会收到从芝姬花店送来的花，他也误会花是有芝姬送出。直到平安夜的前夕，善宇决心对芝姬告白爱意。他们相约在咖啡店见面，可是当善宇到达后，看到了芝姬被匪徒挟持着同归于尽跳楼自杀。善宇亲眼目睹心爱的女孩死亡，伤心欲绝。三年过去了，他重新来到了当年宇芝姬约会的地方，思绪很快飞回了三年前，他感觉情况与当时不同了。原来，三年前送花给他的人，是另一名花店的店员尹秀珍（金贤珠 饰），而当年挟持芝姬的人，与她的关系非比寻常。善于一时间陷入迷惘当中。

给某个土豪当司机的中年男子董大宝（宋晓峰 饰），这天被老板通知要帮着看守豪宅。谁知老板前脚刚走，他就把奶奶接过来享福。谁知期间发生了意外，奶奶没留神打碎了老板家的花瓶。大宝认为花瓶价值不菲，吓得连忙拿到古董行修复，却得知这是一件现代的工艺品。本来可以松一口气了，哪想到他门前脚走出古董行，后脚就被两个笨贼盯上，趁大宝吃饭的功夫砸破车窗，偷走花瓶，并且开口十万索要赎金。本来不必再理会他们，但是素有“轴神”之称的大宝非要把花瓶赎回来。为此，奶奶拿出传家宝——一个金色脸盆。意想不到的是，脸盆被人以讹传讹，整得满城风雨，世人皆知，甚至有心怀叵测的女人主动投怀送抱……

武松（盖叫天 饰）在景阳冈打死老虎为民除害之后成为了英雄，受到了游街三日的隆重待遇，在游街的过程中，武松意外的和自己的弟弟武大郎重逢了。武大郎虽然家有娇妻潘金莲，但因为自己身材矮小样貌丑陋性格懦弱，而处处受到别人的欺负。潘金莲被武松的高大威猛所深深吸引，处处暗示勾引，均被武松拒绝。之后，武松要进京公干，临走之时叮嘱武大郎一定要多加小心。一次偶然中，潘金亮解释了当地的恶霸西门庆，两人在王婆的帮助之下很快就勾搭到了一起，为了能够和西门庆光明正大的在一起，潘金莲设计害死了武大郎。武松回家后得知了哥哥的死讯，他发誓一定要为哥哥报仇。

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains