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In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

白鸽（洪学敏 饰）是一名变电所女工，一场意外中，她引以为豪的大辫子险些造成一起生产事故，于是，白鸽狠了狠心，决定剪掉一头乌黑油亮的长发，就这样，她走进了青年徐力（张天喜 饰）的理发店。徐力为白鸽设计了一个十分好看的造型，这让白鸽十分满意，她也因此成为了徐力理发店的常客，一来二去之下，两个血气方刚的年轻人之间擦出了爱情的火花。一次偶然中，白鸽目睹了徐力同一位女青年有说有笑，嫉妒之情油然而生，当她找到理发店想要跟徐力讨个说法之时，又看到徐力被两位警察带走，难道徐力犯了什么罪吗？在迷惑和不解之中，白鸽和徐力断了联系。

对婚姻怀有恐惧感的漫画家杰克．李蒙，在一场单身狂欢舞会中因为酒醉而糊里糊涂地娶了从蛋糕中跳出来娱乐宾客的金发美女维尔娜．丽丝。当他清醒过来之后，便想尽办法要摆脱这个妻子时，维尔娜．丽丝真的不见了，所有人都认为他就是凶手。

We live in a world going around in circles, in a food chain where one takes on the other before a bigger fish comes along. This film shows an image representing the cycle of life, the world, the universe, and everywhere else.