比赛谁输了谁去谁家受罚女生

冬季無限軌道杯第2回戦。勝利のため、あらゆる「突撃」を駆使した戦法で迫り来る知波単学園に、大洗女子学園は大苦戦！ジャングル、そして夜戦という環境の中、追い詰められたみほ達に逆転の一手はあるのか？他校の試合も見逃せない！サンダースvs継続、黒森峰vsプラウダ、聖グロvsアンツィオの試合の行方はもはや予測不能！？それぞれに白熱する試合模様！勝利をつかむのは、果たして――！？

《939号》是一部动画，它最初是作为一种视觉化思想封闭的练习，以及他们在阻止思想交流中所扮演的角色。这个简单的比喻从来都不应该是一部独立的电影，但我花了越多的时间来画它，我就越觉得它可以装自己的水(或酒)。有趣的是，这个短片没有真实的故事，它只是一个想法的说明:自由分享思想的人面对一个被封闭的人的时刻。我选择了939这个数字，因为它给我的感觉非常顽固和局限。

Andy Warhol′s Screen Tests were filmed from early 1964 to November 1966. Factory visitors who had potential "star" quality would be seated in front of a tripod mounted camera, asked to be as still as possible, and told not to blink while the camera was running. Warhol manipulated light and shadow in increasingly inventive ways to capture the appearance, style, personality, and mood of both famous and lesser-known visitors to his studio, the Factory. His subjects included Dennis Hopper, Gerard Malanga, Edie Sedgwick, Susan Sontag, and Salvador Dalí. Although each film was shot at standard sound speed, or twenty-four frames per second, Warhol specified that prints be projected at a slower speed of sixteen frames per second, a rate used in the projection of silent films. The result is an unusual fluidity of pace, a rhythm gently at odds with the starkness of the lighting and the boldness of the close-ups of face and hair.In total more than 500 Screen Tests were made. Helmut was the seventh.

一对夫妇搬到小镇居住，有人擅自闯入他们的家。妻子自此疑神疑鬼，似乎身边所有人都是另有图谋。