十大怪兽电影

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

这是我的一个长达 80 分钟的脱口秀专场，和之前线下火热巡演的《天生有意思》专场同名不同内容！里面收录了我最喜欢的一系列段子，包括我参加奇葩说第七季的经历、社会性死亡的经历、对社会残障辅助设备的思考，还吐槽了我的名字我的忌口我的杠精网友。

一个大学女生参加姐妹会竞选，而她养了一只可爱的树懒，意识到可以让这只小动物担任姐妹会的吉祥物，对自己拉票也有利。但此后，姐妹会里发生了一系列死亡事件，树懒竟成为了第一嫌疑犯……该片变成了一个姐妹们与树懒斗争的逃生故事，但是，当然，树懒们跑得可不快。

孔雀国的七公主喃麻喏娜有六个姐姐，一天，姐妹七人来到金湖里洗澡嬉戏，恰好被板扎国王子召树屯给撞个正着。召树屯和喃麻喏娜一见钟情，两人很快就确定了婚期。板扎国的宰相麻哈仙是一个非常阴险狡诈野心勃勃的男人，一心想要谋权篡位的他希望能够将自己的女儿嫁给召树屯，可是喃麻喏娜的出现破坏了他的计划。在喃麻喏娜和召树屯举行婚礼的那一天，传来了敌国入侵的消息，刚刚走出礼堂的召树屯便穿上了戎装赶赴战场，留喃麻喏娜一人留在宫中。麻哈仙欺骗喃麻喏娜他的丈夫已经战死沙场，同时，他在国内四处散步喃麻喏娜实为妖怪的传言，惹得国王决定将她处死。