德扑风云

因忍受不了男友Moses（任贤齐）的平凡，阿Mi狠心与他分手，塞翁失马焉知祸福，Moses在老人院做义工时，与怪脾气老头蛤蚧王成为忘年之交，后者死后，给他留下巨额遗产。蛤蚧王的此举招致其律师Allen的不满，他在夜总会发泄时无意中将此事告诉了小姐Didi（张柏芝）。为将Moses钓到手，Didi使出浑身解数，无奈均不奏效。发现Moses是绝种好男人后，Didi对他动了真心，两人开始热恋，不久，Allen将Didi的原来身份相告Moses，令他异常伤心，此时，阿Mi又前来要与他复合。

《有家小店叫童年》是的《温暖电影院》系列影片中的亲情篇，由贾樟柯导演。21年前，故事主人公余晶的爸妈经营了学校旁边的一家小店，一家人吃住都在小店，这是余晶的家，也是余晶和小伙伴们的乐园。那几年，小镇上的人流行去南方打工，留下孩子跟着爷爷奶奶生活。余晶的爸妈本想去南方发展换来更好的生活，却最终被余晶和她的小伙伴们留了下来，一家人守着小店，过着平凡却温馨的生活。直到余晶大学毕业，在北京打拼两年后最终还是决定回家接手小店的生意，陪着父母和孩子一起守着小店，也见证更多孩子的成长。

A man prospecting for gold in the desert becomes lost and comes across six naked women.The genre being what it is, the hook is beautiful nearly-naked women. This film delivers. Oh boy does it deliver. The topless women show up at about the five-minute mark, and remain on screen for the rest of the film. There isn’t a minute that goes by without bare breasts, and these women are absolutely gorgeous.There are typical of the kind and quality of jokes told throughout the film. In fact, if your family has a liberal attitude about the sight of bare breasts (and occasionally buttocks), this is a great film for kids as well as adults, because these jokes can be appreciated by kids of all ages, and there is nothing (besides the nudity, depending on your values) that is inappropriate for children. This is simply a delightful film.

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb