特殊保镖3

叶山托生（柳下大 饰）是个内向的高中二年级生，就读于私立祠堂学院，这是一所全日制的男子寄宿学校。托生的内向为他招惹到不少他人的欺负。而之所以有这样的性格，是因为托生患有“对人接触厌恶症”。这样的体质让托生害怕与人接触。在一次午餐时间，托生激怒了学院偶像高林泉（斋藤康嘉 饰），泉将餐盘砸向了托生，但是托生的同学崎义一（加藤庆佑 饰）突然冲到了托生面前，替其挡下了飞来横祸。而义一这已不是第一次替托生解围。第一次被人如此温柔的对待，让托生困惑不已。而义一在无意中说出了托生的秘密，让托生惊慌的逃出宿舍，结果被对其虎视眈眈的篮球部主将野崎大介（牧田哲也 饰）给逮住。大危机下，又是义一将其解救。而这时义一也向托生说出了自己的心意，托生会怎样回答呢？一出成长的恋爱物语就此展开。

从1977年恢复高考以来，高考制度不断变革改进，将近四十多年的岁月，改变了多少人的命运。2004年7月，青春的女孩和心仪的男孩双双走出考场，男孩过于紧张，最后两道大题没做，但是他们很快从紧张备考的气氛中走出来，享受得知分数前最后的毕业狂欢时光。走廊内，女孩的学长（林宥嘉 饰）送给女孩一部手机作为毕业礼物，其中有一张字条，写着“这是一部来自未来的手机，它的速度能够帮你回到未来，但是只有三次机会，请慎用。”尘埃落定的时刻终将到来，女孩和男孩因分数不同报考不同的学校，虽然说着喜欢，却无法阻止离开的脚步。火车上，听着男孩此前偷偷录下的歌，泪流满面的女孩决定用那部手机回到过去……

解放战争时。面对国民党政府拒在和平协议上签字，毛主席（古月 饰）向西北野战军司令员彭德怀（吕晓禾 饰）下达了进军西北的作战命令。由于三大战役胜利结束，西北守敌己成瓮中之鳖，胡宗南（杜雨露 饰）、马步芳（李龙吟 饰）、马鸿逵（阎雨生 饰）之间又各自为一已之私考虑，军心涣散。咸阳保卫战后，彭德怀组织主力围歼胡宗南部，经激战三昼夜，胡匪全军覆灭。“二马”惶惶不可终日，决心孤注一掷，在兰州城外与我西北野战军决战。战役开始，马匪仰仗坚固工事，居高临下，给我攻城部队带来很大困难。彭德怀审时度势，组织部队抢占致高点，用猛烈炮火轰击敌阵地。不日，兰州解放。国民党陶峙岳部新疆省主席宣布起义......

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.